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Author Topic: Craftint Color Printing process explained  (Read 1795 times)

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Offline chrisbeneke

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Craftint Color Printing process explained
« on: September 22, 2016, 12:12:05 PM »
Hi DCM,


A Brit on the Yahoo Platinum Age Comics group has been dissecting color comics printing processes in exhaustive detail for some time and finally tackles the cheap, no-union-labor-required Cratint process that made the whole golden/silver/bronze eras so special. Also reveals why the current re-colored reprints usually look and feel so wrong.


https://legionofandy.com/2016/08/26/ben-day-dots-part-8-1930s-to-1950s-the-golden-age-of-comics/


Enjoy.


cb

Digital Comic Museum

Craftint Color Printing process explained
« on: September 22, 2016, 12:12:05 PM »

Offline Yoc

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Re: Craftint Color Printing process explained
« Reply #1 on: September 22, 2016, 12:32:04 PM »
Interesting!
Thanks CB.
:)

Offline srca1941

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Re: Craftint Color Printing process explained
« Reply #2 on: September 23, 2016, 07:19:38 PM »
Very interesting. I've just scanned through it, but I can tell that this is something I'm going to want to read. Thanks for sharing it!!!

-Eric

Offline crashryan

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Re: Craftint Color Printing process explained
« Reply #3 on: September 23, 2016, 07:34:21 PM »
This is a superb resource. It explained a lot of things I've wondered about for a long time. I had no idea Craftint of the Doubletone board was related to newspaper comic coloring.

I used a lot of Craftint board years ago. The developer gave off an ammonia smell. I still have a few bottles left but the liquid has evaporated leaving a few crystals. I admire the Craftint work of Roy Crane and Leslie Turner. Used well it was an incredibly versatile tool.