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General Category => Comic Related Discussion => Topic started by: EddieCampbell on July 22, 2012, 06:28:02 PM

Title: The Martin Luther King "Montgomery story" comic book
Post by: EddieCampbell on July 22, 2012, 06:28:02 PM
http://digitalcomicmuseum.com/index.php?dlid=6803

A friend of mine is writing on a larger subject in which this book comes up. Do we have any solid credit information on it. The sources he's dealing with have attached 'Al Capp studio' to the item, which sounds implausible. I said don't trust that till I see if I can come up with something more convincing.  JVJ?
Title: Re: The Martin Luther King "Montgomery story" comic book
Post by: EddieCampbell on July 22, 2012, 06:31:13 PM
Sorry, I haven't posted here before and didn't mean to put it in this section. :)
Title: Re: The Martin Luther King "Montgomery story" comic book
Post by: JVJ (RIP) on July 23, 2012, 12:24:25 AM
Haven't seen this book before, Eddie,
Could be Dan Barry inked by brother Sy, or perhaps Sy alone. Very slick, very professional, very good. I just wish it were more distinctive to my eyes.

FWIW, I can't see Al Capp having anything to do with this nor do I credit the 1957 date. It feels more like 1959 or 1960 to me.

Wish I could be of more help. Sorry.

Peace, Jim (|:{>
Title: Re: The Martin Luther King "Montgomery story" comic book
Post by: EddieCampbell on July 23, 2012, 01:46:40 AM
Thanks, Jim. That's a help.
Barry's name was in the mix this morning when we discussed the piece, and the fact that he did this other thing (signed)

http://digitalcomicmuseum.com/preview/index.php?did=14507

for a client with with a political angle supports the attribution somewhat

best to you,

Eddie
Title: Re: The Martin Luther King "Montgomery story" comic book
Post by: EddieCampbell on July 23, 2012, 01:48:09 AM
by attribution I mean

"Dan Barry (studio)?"

anything more than that would be going too far out on a limb.
Title: Re: The Martin Luther King "Montgomery story" comic book
Post by: EddieCampbell on July 23, 2012, 04:04:53 AM
ps. one other thing. your astute dating based on style is useful. The proposed date has already been shifted to later based on internal evidence.

http://www.ep.tc/mlk/date-correction.html

<<state it was published in 1956 (when the Montgomery bus boycott ended), it could NOT have been published before at least the fall of 1957. The reason is that on page 13 of both English and Spanish versions (second scene), it depicts a famous incident that occurred here in Little Rock on September 4, 1957, at the start of the Central High crisis.>>

an even later date feels more comfortable, knowing how long things take to get done.
Title: Re: The Martin Luther King "Montgomery story" comic book
Post by: jfglade on August 01, 2012, 04:10:20 PM
Didn't anyone notice that in the comments below the preview/download page the notice that "details about this story" can be found on the Grand Comics Database and there was an internal link address?
Title: Re: The Martin Luther King "Montgomery story" comic book
Post by: JVJ (RIP) on August 01, 2012, 05:27:54 PM
by attribution I mean

"Dan Barry (studio)?"

anything more than that would be going too far out on a limb.

Only reservation I'd have, Eddie is that the signed example LOOKS like Dan Barry. This Martin Luther King example doesn't quite. I LIKE to think that I could pick Dan's style out as he's much more easy for me to spot than brother Sy, and I simply don't see it here. Did Dan have a "studio" in the late '50s?

FWIW.

Peace, Jim (|:{>
Title: Re: The Martin Luther King "Montgomery story" comic book
Post by: JVJ (RIP) on August 03, 2012, 12:41:28 PM
I've been wracking my brain over the name most attached to those 1950s Boys' Life sections, Eddie, and it's AL STENZEL. I'm not certain what his role was, but his name was attached (if I recall correctly) to strips with art by Al McWilliams, George Evans, Henry Sharp, and others. It MIGHT pay some dividends to pursue information about whatever studio he was running circa 1955-1960.

Good luck,

Peace, Jim (|:{>
Title: Re: The Martin Luther King "Montgomery story" comic book
Post by: josemas on August 03, 2012, 08:39:47 PM
This site gives a 1958 publication date and also credits the Al Capp Studio with the art.

http://www.bookerrising.net/2010/03/martin-luther-king-jr-comic-book.html

The 1958 date is also backed up here.

http://sdvoice.info/martin-luther-king-jr-comic-books-to-be-rereleased-p1350-101.htm

Personally I get both Al McWilliams and Sy Barry vibes from the art in different parts of the book.

Best

Joe
Title: Re: The Martin Luther King "Montgomery story" comic book
Post by: JVJ (RIP) on August 04, 2012, 12:29:07 PM
This site gives a 1958 publication date and also credits the Al Capp Studio with the art.

http://www.bookerrising.net/2010/03/martin-luther-king-jr-comic-book.html

The 1958 date is also backed up here.

http://sdvoice.info/martin-luther-king-jr-comic-books-to-be-rereleased-p1350-101.htm

Personally I get both Al McWilliams and Sy Barry vibes from the art in different parts of the book.

Best

Joe
Having read all of the info, Joe, it seems that everyone is determining an "earliest possible" date, not an actual publication date. Based on the internal evidence of the incidents depicted and referred to in the strip, it is nearly impossible for the publication date to have been 1957 or earlier. Hence they are assigning 1958, but it could just have easily been 1959 without contradicting any of the data.

I don't see the McWilliams, but I DO see why you might say it. The first half has subtle undertones of someone like Jim Mooney or another excellent DC artist. It's maddening to realize just how MUCH of my artist-spotting abilities rely on how the artist renders the CAUCASIAN face! It's definitely harder here.

I'm betting that ALL of the "Al Capp Studio" references stem from the one GCD entry. Perhaps the person who provided that info to GCD could help sort out the confusion by giving a citation source for this information. The problem with the web is that most sites don't list their sources, so we could simply be seeing ripples from one listing rather than a bunch of corroborating support.

Peace, Jim (|:{>
Title: Re: The Martin Luther King "Montgomery story" comic book
Post by: josemas on August 05, 2012, 11:11:29 AM
Part of an interview with Laura Hassler, daughter of the late Martin Hassler, who was the man at the FOR who conceived the idea for the MLK comic book.

http://www.youtube.com/watch?v=tx3vxRpBkp4

Notes at the GCD indicate that Benton Resnick, the man credited with writing the book, had apparently been a general manager, editor and writer for Al Capp's Toby Press.
Toby had been defunct since 1955 but it's possible that Resnick used his Capp connection to get referrals for artists used in drawing the comic.

Best

Joe
Title: Re: The Martin Luther King "Montgomery story" comic book
Post by: JVJ (RIP) on August 05, 2012, 02:24:18 PM
FASCINATING, Eddie,
We certainly now know the source of the ACS credit, but it still doesn't connect logically or stylistically with "Al Capp Studios - Famous Cartoonists Studios". Capp certainly had a studio and they produced a lot of material other than the L'il Abner strip. However, and this remains my puzzle point, EVERYONE in the studio was adept at and most likely hired for imitating Al Capp. The Martin Luther King strip is more like a Johnston-Cushing effort than anything I can imagine coming out of the studio. Are there other non-cartoony products attributed to the Al Capp Studio? I haven't (and won't) re-read all of the text in the Kitchen Sink Abner volumes, but somesuch (if they exist) must have been touched upon there.

Laura Hassler's statements are certainly definitive of what she remembers and I have NO hard evidence to refute her. However, there is such a profound disconnect between Al Capp and this MLK style, that I'm lost in my inability to accept her recollections as fact. Sorry.

Peace, Jim (|:{>
Title: Re: The Martin Luther King "Montgomery story" comic book
Post by: EddieCampbell on August 12, 2012, 01:03:33 AM
Jim,
Since I last looked in here I've revised my thinking on this.

 In one of the discussions of the comic somebody referred to"Al Capp's Toby Press." No source is given for this odd detail, but it does offer a chain of connections. Toby Press was run by Elliott Caplin, Al Capp's brother. I'm thinking somebody has mistaken the two at some point in the history of the piece. My current thought on the matter is that the job was done through, by referral or what ever,  E Caplin, who has a history with 'true' stories in comics (being  an editor for the Parents' Institute publications (including comic books that are filed here in the DCM) before setting up his own comics op (and writing Juliet Jones and Big ben Bolt at the time of the job in question). Benton Resnik's name appears as 'office manager' in the indicia of Toby Press's comics (spelled thus but spelled differently, Resnick, in most other discussions of the MLk comic.)

There seem to be several errors that have taken hold and been repeated around the place as facts (eg. Resnick as a 'blacklisted comics writer' following the Kefauver hearings, which is gibberish. Comics were blacklisted , not writers and artists.) Anyway, from all of this I'm presuming a Toby Press artist is the likely candidate for this job, and I don't know of any Dan Barry connection there, so let's lose that attribution. One book in The DCM  files seemed to offer some likely art connections, the Sorority Secrets #1. I couldn't find any definite stylistic cross -connections for the art, but oddly I think I see  one in the lettering, in the story 'The Wrong One', with its unusual sweeping caption boxes here and there, such as the one on the second panel, top of the third page. compare with the one on top of 'page 3' (thus numbered in the DCM files) of the MLK comic. This is all vague but helps me to feel confident that I'm looking in the right place. The Toby Press stories are all unsigned too, but you can't expect these things to be easy.

I wonder if Jim can suggest an artist for "the Wrong One" that might help me move forward?

best

Eddie
Title: Re: The Martin Luther King "Montgomery story" comic book
Post by: JVJ (RIP) on August 12, 2012, 01:28:15 PM
Jim,
Since I last looked in here I've revised my thinking on this.

 In one of the discussions of the comic somebody referred to"Al Capp's Toby Press." No source is given for this odd detail, but it does offer a chain of connections. Toby Press was run by Elliott Caplin, Al Capp's brother. I'm thinking somebody has mistaken the two at some point in the history of the piece. My current thought on the matter is that the job was done through, by referral or what ever,  E Caplin, who has a history with 'true' stories in comics (being  an editor for the Parents' Institute publications (including comic books that are filed here in the DCM) before setting up his own comics op (and writing Juliet Jones and Big ben Bolt at the time of the job in question). Benton Resnik's name appears as 'office manager' in the indicia of Toby Press's comics (spelled thus but spelled differently, Resnick, in most other discussions of the MLk comic.)

When I saw the "Toby Press" reference, Eddie, I began to smell the same rat as you. Al had nothing to do with Toby, but was better-known than Elliott and would have added a touch of glamour to the story. Interesting to note that Sorority Secrets has the lead story by what appears to be Stan Drake or his clone. i.e. someone with whom Elliot would collaborate.

Quote
There seem to be several errors that have taken hold and been repeated around the place as facts (eg. Resnick as a 'blacklisted comics writer' following the Kefauver hearings, which is gibberish. Comics were blacklisted , not writers and artists.)

Comics were tarred, feathers, demeaned and almost destroyed, but only individuals could be "blacklsted" - "to deny someone work in a particular field, or to ostracize a person from a certain social circle." Whether any comic book writers were ever blacklisted is not a subject upon which I can speak authoritatively, but I would hesitate to label such a report as "gibberish".

Quote
Anyway, from all of this I'm presuming a Toby Press artist is the likely candidate for this job, and I don't know of any Dan Barry connection there, so let's lose that attribution.

Let's definitely LOSE the "Dan Barry" attribution. I KNOW that it is NOT Dan. MAYBE it's Sy Barry, but not Dan. I apologize for introducing that red herring. And, while I'm not familiar with all of the Toby artists, I went to the Who's Who [http://www.bailsprojects.com) and put Toby Press into the search field. The resultant list of writers and artists was unhelpful to me. I knew the styles of 90% of the artists and can eliminate them as possibilities.

Quote
One book in The DCM  files seemed to offer some likely art connections, the Sorority Secrets #1. I couldn't find any definite stylistic cross -connections for the art, but oddly I think I see  one in the lettering, in the story 'The Wrong One', with its unusual sweeping caption boxes here and there, such as the one on the second panel, top of the third page. compare with the one on top of 'page 3' (thus numbered in the DCM files) of the MLK comic. This is all vague but helps me to feel confident that I'm looking in the right place. The Toby Press stories are all unsigned too, but you can't expect these things to be easy.

The Toby artists are not so easy to ID - at least not by me. Here's my take on Sorority Secrets:
The Secret - Stan Drake?/Alex Kotsky? (someone very good)
To Win Your Love - probably Art Peddy pencils under Jack Abel's smothering inks.
The Wrong One - signed David Gantz
The Faint Heart - signed Bob Brown and David Gantz
Kid Sister - dunno, though I get some hints of George Klein-ish inks

Quote
I wonder if Jim can suggest an artist for "the Wrong One" that might help me move forward?

best

Eddie


I don't think that David Gantz is going to move you forward, Eddie. This is some of his final realistic comic book work. From 1954/55 onward, he focused on his cartoony style. If the lettering is a clue, sadly the Who's Who does not have any credits for Toby letterers. I still believe that this MLK strip was produced by one of the advertising studios like Johnstone & Cushing. Al Wenzel, who I mentioned earlier, seems to have bought out J&C in 1963. I seem to remember a lot of "Al Wenzel" in Boys' Life - but I have no way to pin down the dates. Sorry. Wenzel is NOT the MLK artist, but someone associated with him, J&C, or another comics-producing studio IS. That's my suggestion.

I agree 100% that "Al Capp" is a mistake. I also agree that Elliott Caplin is a clue. Let me know where it might lead.

Peace, Jim (|:{>
Title: Re: The Martin Luther King "Montgomery story" comic book
Post by: EddieCampbell on August 17, 2012, 05:36:38 PM
Now the investigation takes a confusing turn.

My friend, whose inquiry started this thread, has now sighted a letter from Benton Resnik (supposed writer of the MLK book in some versions of the story- one might suppose that Hassler, not a comics writer, would have needed his scenario retooled for comics) that mentions a company named "Graphic Information Services' (note Jim's feeling that a company such as Johnson and Cushing would be behind the MLK book- here's such a company, but one I haven't heard of before). Now, The Comics Museum has a comic book published by this group, and it's another public information booklet of the type we've been discussing above (16 pages, no slick cover). Title is "Mr. Civil Defense tells about NATURAL DISASTERS"

http://digitalcomicmuseum.com/preview/index.php?did=10138

The style is 'generic 1950s utilitarian comic book', except for the front cover. And here's where it gets very odd. This one DOES have Al Capp's imprimatur on the cover, on which L'il Abner introduces Mr. Civil Defence. I am now so baffled that I would have to refrain from making any more dumb guesses related to this thing.
Title: Re: The Martin Luther King "Montgomery story" comic book
Post by: JVJ (RIP) on August 17, 2012, 11:09:58 PM
This does certainly point to an AL Capp connection, Eddie.
One has to wonder if Capp DID have a studio producing comic books after all. (It's possible that Abner was merely licensed by the CD folks for this book.)  I wonder if anyone can locate data on the principals of "Graphic Information Services"? And anything else that they might have had a hand in creating? The artistic style here (on Natural Disasters) is maddeningly familiar! I know who this is but am more and more frustrated lately by an inability to connect a style with a NAME. Not much use in knowing that I know if I can't connect those two up. Sigh...

This also goes to show that all of my accumulated "knowledge" and "instincts" really amount to very little when confronted with the confusion of reality.

Let's just hope that GIS left a footprint somewhere in the sand other than these two books. And, for the record, I just saw a signed Sy Barry story at Atlas circa 1954 that reinforces (alas, but doesn't cement) my feelings that he had a hand in the MLK book.

Peace, Jim (|:{>
Title: Re: The Martin Luther King "Montgomery story" comic book
Post by: RJ Bowman on August 17, 2012, 11:38:43 PM
Find a L'Il Abner or Shmoo comic and check the indicia and so how it compares to the information in the MLK book.

I know that Cap used ghosts for his newspaper strip, and I'm pretty sure that he didn't draw his comic books. It's quite possible that he ran a small shop that provided content for publishers.
Title: Re: The Martin Luther King "Montgomery story" comic book
Post by: JVJ (RIP) on August 18, 2012, 09:50:01 AM
Great idea, R.J. Do you know of anyone who's got some? I don't. Are we certain that Capp was controlling production of those titles? They could have been produced by a Toby mimic. I know NOTHING about them, so I'm just thinking out loud about the possibilities.

Also, I would imagine that it would be a different shop that produced the Toby's and assisted on Li'l Abner. Both of the Public Service comics are drawn by rather serious/straight artists who likely have few responsibilities in an all-Al Capp comic production shop.

Time and further research will help sort it out.

Peace, Jim (|:{>
Title: Re: The Martin Luther King "Montgomery story" comic book
Post by: EddieCampbell on August 18, 2012, 05:28:32 PM
My pal reports back:

"I referenced the address printed in the Natural Disasters comic with the publisher addresses listed in the 1954 Senate hearing transcripts and GIS has the same address as Toby Press."

So 'Graphic Information Services' is an imprint of Toby. I don't think the publisher, Elliott Caplin, getting his brother, Al Capp, to lend his authority by having one of his studio guys draw the cover, needs too much explanation.

Now, The MLK book has 'published by the Fellowship of Reconciliation' on its final page. Since the Fellowship was not in the business of publishing comic books we may presume that a regular comic outfit packaged it for them. I note that the natural Disasters book is copyright 1956, which is after Toby closed its doors. If Toby was trying to continue in business as GIS, we might presume further and say that The MLK book was packaged by them. (with Toby down, one could imagine Al Capp providing that cover to help his brother stay afloat, since L'il Abner isn't really connected to the subject in any way). Perhaps Al lent his name to one or two other things, which is where the Capp-Toby confusion originated. perhaps his name was on 'the board of directors' or whatever.

We went on a diversion there for a while, which did end up proving that Toby went into the business of publishing public information pamphlets in comics form, something we didn't know when we started. So that leaves us with two books published by Graphics Information Services, and now two unidentified artists. Still, we've come a long way on this inquiry. I'm sure if we had more of those Toby romances to look at we could find our artists (The romances use more prosaic real-life drawing than the adventure and horror, whic is what we need for comparison here)
Title: Re: The Martin Luther King "Montgomery story" comic book
Post by: JVJ (RIP) on August 18, 2012, 05:42:08 PM
Well-reasoned and well-researched, Eddie.
I'm on the task. I've got my stack of Toby comics and my Toby notes and away I'm going...

Will let you know what, if anything, I find.

Peace, Jim (|:{>
Title: Re: The Martin Luther King "Montgomery story" comic book
Post by: EddieCampbell on August 18, 2012, 06:30:19 PM
thanks, Jim.

there are other ideas presented above that could add to the picture, such as RJ's suggestion that we check the address on the Capp comic books. All in all it's great where you can get by just applying logic. And sticking to the evidence of course, and avoiding repeating things that never made any sense in the first place. This story was riddled with such things (such as "Al Capp's Toby Press") and yet it was sitting quite close to the truth all along (though much of what we've arrived at is still theoretical).

of passing interest, Andrew (my pal mentioned throughout the above) also noted:
"Also, the Subcommittee issued "grades" on a large swath of comics with A and B being acceptable and C and D being unacceptable.  Several Toby publications were reviewed, including "Great Lover Romances" which was given a "C" rating."
Title: Re: The Martin Luther King "Montgomery story" comic book
Post by: JVJ (RIP) on August 18, 2012, 07:12:51 PM
We will all keep plugging and chipping away at the mystery, Eddie,
Here's a big chunk off the "ediface". These are all of the artists I can identify in my Toby comics from 1953 onward. I'm pretty certain that Kotzky is there with Keefer on some of Keefer's best (and unsigned) work. The ONLY possible name from this list for the CD book is Keefer, but he simply isn't consistent enough in his "style" to suggest seriously.

NONE of the other names on this list is a contender (including the added names):
TOBY artists - 1953 onward
Jack Abel
Valerie Barclay
Dick Beck
Betancourt
Lorence Bjorklund
Ben Brown
Sam Burlockoff
Christiano
Bob Correa
Ellis Eringer
Myron Fass
David Gantz
Tom Gill
Art Helfant
Medio Iorio
Mel Keefer - ?
Alice Kirkpatrick
George Klein
Alex Kotzky(?)
Littman
Bill Martin
Gerald McCann
Bob McCarty
Charles Nicholas
O'Brien
George Olesen
Art Peddy
John Rosenberger
Alex Schomberg
Mike Sekowsky
E.J. Smalle
Jack Sparling
Charles Sultan
Sal Trapani
Bill Walsh
William Weltman
Leon Winick
Les Zakarin

add:
Marty Elkin ('55)
Frank Frazetta
Don Heck ('55)
Nat Johnson ('55)
Fred Kida
Mel Lazarus
Jim McCardle
Ernie Schroeder
Al Williamson

Note: Sept. 1954 dated O.S. lists only Elliot Caplin as owner.
Title: Re: The Martin Luther King "Montgomery story" comic book
Post by: JVJ (RIP) on August 18, 2012, 09:15:03 PM
thanks, Jim.
You're very welcome, Eddie.

Quote
of passing interest, Andrew (my pal mentioned throughout the above) also noted:
"Also, the Subcommittee issued "grades" on a large swath of comics with A and B being acceptable and C and D being unacceptable.  Several Toby publications were reviewed, including "Great Lover Romances" which was given a "C" rating."
I'll bet that was based entirely on the TITLE of the comic.

(|:{>
Title: Re: The Martin Luther King "Montgomery story" comic book
Post by: EddieCampbell on August 19, 2012, 04:44:55 PM
The Schmoo comics were indeed published by Toby Press. I wonder whether Capp had a financial stake in Toby after all....
"Al Capp's Toby Press created five issues of Shmoo Comics back in 1949 and 1950 to capitalize on the fad.  In 2008, Denis Kitchen reprinted the entire run in this handsome volume from Dark Horse Archives."
quoted from this blog:
http://attemptedbloggery.blogspot.com.au/2011/08/book-review-al-capps-shmoo-complete.html

the next question is: does "Al Capp's Toby Press" originate with the blogger or is it in Kitchen's introductory notes?

From Here it found its way into the story about the MLK book.

Title: Re: The Martin Luther King "Montgomery story" comic book
Post by: JVJ (RIP) on August 19, 2012, 08:02:51 PM
I should have checked the earlier ownership statements, Eddie,
and answered that question for you. Yes, the OS that was notarized on 9/23/1953 for Great Lover Romances shows the owners of Toby Press as Elliott A. Caplin, Jerome B. Capp, and Alfred G. Capp (who is better known as Al Capp). I believe that he was not active in the day to day running of the corporation (cf. Mel Lazarus' hilarious concoction, The Boss is Crazy,Too), but, as you speculate with regard to Graphic Information Services, Al is probably helping to fund and to jump start the company with strong-selling titles early on.

It was Elliot Caplin's Toby Press. As usual with much of comics history, surface impressions often hide the facts. A year after that OS in GLR, Elliot is the sole owner in the 1954 owner's statements and the company is fading away -another victim of the general attacks on comic books and the comics code and the changing spending and viewing habits of the U.S. public. A year or so after THAT, Elliot is struggling to produce overly-padded (one enlarged panel per page!) packages like the Survival 16-pager - again with a push from his famous brother. I believe that Al is a doting (or harried, take your pick) brother trying to get his sibling's newest company off the ground. I would IMAGINE that by this point Al knew better than to invest in Elliot's ventures.

If I own a copy of the KSP Schmoo reprint, alas I don't know where to find it. Denis would be a great source. Try him at denis@deniskitchen.com.

Keep whittling away those assumptions and sooner or later you're bound to strike truth.

Peace, Jim (|:{>
Title: Re: The Martin Luther King "Montgomery story" comic book
Post by: EddieCampbell on August 19, 2012, 08:20:33 PM
I haven't read the Mell Lazarus piece. But funny that you mention him. While checking the Toby indicias, i noticed his name as art director at the company. later as you know, but for the benefit of anyone who needs the benefit,  he produced the syndicated daily, Miss Peach (1957-2002). And thus does another guy survive in the comics biz.

from Wikipedia:
A native of Brooklyn, Lazarus began as a professional cartoonist when he was a teenager. During his twenties, he worked for Al Capp and his brother Elliott Caplin at the Capp family-owned Toby Press, which published Al Capp's Shmoo Comics, among other titles.
Title: Re: The Martin Luther King "Montgomery story" comic book
Post by: JVJ (RIP) on August 19, 2012, 09:13:36 PM
We had a review of "The boss is crazy, too" in Promethean Enterprises #2 back in 1970, Eddie.
It's a great read, especially for comic book fans. Mel draws (ha ha) heavily on his experience at Toby to flesh out this sarcastically funny novel of the lower end of the publishing biz in the 50s. Search out a copy.

And don't forget "Momma"!

Peace, Jim (|:{>
Title: Re: The Martin Luther King "Montgomery story" comic book
Post by: EddieCampbell on August 19, 2012, 10:00:27 PM
this is rich: (wikipdia)

His novel The Boss Is Crazy, Too (Dial, 1954) was inspired in part by his experiences as an editor at Toby Press. mike weber described the storyline:
Mel Lazarus' great novel of the early days of the Silver Age, The Boss Is Crazy Too, features a production manager who literally knows nothing about his job; he's the publisher's wife's unemployable cousin, and giving him a job is part of the price of getting family money to keep the company afloat. The artists hate him, and the inker has a habit of lettering obscenities in areas that are going to be solid black, just to honk him off. He's positive that, one day, the black isn't going to cover it up. So one week, the bullpen crew grab one of the sample bundles of comics coming into the office, and, with a rubber stamp and dark grey ink, stamp an obscene word in the same place in a black doorway the hero has just emerged from, gun blazing. And then they tie the bundle back up and leave him to find it.